Category Archives: Art
Wise Words: Paint your Reality
I paint my own reality. The only thing I know is that I paint because I need to,
and I paint whatever passes through my head without any other consideration.
-Frida Kahlo
Selling Art and Letting Go
I sold my favorite painting last week. I was happy to release it to someone who loved it so much, but it was still a little sad for me. I wasn’t expecting to let it go at that time; the buyer and I had previously discussed a different painting, but he ended up changing his mind. This one was more money than the one I’d expected him to buy, so that was nice, but that blank spot on my wall is still a little sad looking.
As I drove home from delivering the painting, I thought about the weeks I spent working on that piece. I made it in October and I spent the whole time either listening to the Muppets Green Album or watching Soul Art TV. I remembered each stage of that painting; laying on the paint and peeling it back back off with an old library card, spreading the paint around the sky, dabbing the jewel red leaves, wondering what the figure should be doing and watching the piece change under my brush.
I then realized that I already had what I needed from that painting. I got my value from making it, and from seeing its new owner light up when he hung it on his office wall. I now have some money to put toward my business and an empty spot on my wall for the painting I’m currently working on.
Being the dork I am, I thought of the Doozers from my favorite show, Fraggle Rock, who live to build.
If you have no idea what I’m talking about, get thee to Youtube.
They don’t mind that the Fraggles eat their towers (because the buildings are made from radishes, the Fraggles’ favorite food) or when Sprocket the dog accidentally wound up in Fraggle Rock and knocked them all down. They were happy because now they had more room to build! Their joy was in the process, not the end product. Building made them happy. They also loved to see their buildings make the Fraggles happy as they ate them. One of the doozers once watched a Fraggle munching on a piece of the roof and he sighed and said “Ah, does my heart good. Architecture is meant to be enjoyed.”
As an artist, this is something I’ll have to get used to, but I don’t imagine that letting go will always be easy. I just have to remember where the joy comes from, and where it goes. It’s a beautiful exchange.
The Importance of Creative Playtime
Last week, I looked forward to a beautiful Saturday filled with long walks or a hike and filling my creative well.
It rained, hailed, and snowed the entire day. Sam was away working for the weekend, so it was just me, the cat, and the weather.
Gloomy days like that are hard on me sometimes, but I spent the morning curled up with a book, hoping things would clear up so I could go for a walk, but they never did. By midday, I felt super antsy. I decided to sit withT that feeling for a minute and find out what I really needed.
It was simple: I needed to lighten up, loosen up, and play around. I needed some “Creative Playtime.” I took some of my Christmas money, drove through some monster puddles to the store and picked up some mini canvases, then came home and changed into my paint clothes, put on The Muppet Show, and play with new images, new techniques, and other little surprises that I might want to include in my larger paintings. I made a tiny painting for my desk at work so I could remember that part of myself even when things get busy.
I’ve been reading The Artist’s Way, so this concept was similar to the “Artist Date” the author recommends, the special time dedicating to nurturing your creativity. Here are some ideas of how can nurture your own creativity.
It’s been awhile since I’ve allowed it, but I feel like I need creative exploration and experimentation, but at the same time the other part of my brain is screaming “No! You must be productive! Build your career! Make work to sell, then promote it! Every second that you’re not sleeping or at work should be dedicated to this!”
That’s the logical thing to do, but logic isn’t always correct. Maximizing every second of every day is like dieting and communism. It works on paper but not in real life because it doesn’t account for human limits or free will. I know better than to trust that kind of logic. I can’t spend every minute of that other 8 hours painting and marketing. My work will run dry and I’ll burn out in not time.
So screw that other part of my brain. I’m in charge, and I say it’s playtime. I want to keep my well filled, try a few new techniques and mediums, sketch, read, and take good care of myself so I’ll have the energy and clarity to be at my creative best. I want to be as open as possible.
Part of the reason I went back to work full-time was to remove some pressure from my art and free up some brain space that was previously occupied by money and career stress. I have the freedom to loosen up now. Not everything I make has to be top quality, I don’t have to make everything with the intention to sell. I can make something just for me if I really feel like it. I can play with different mediums and it’s ok if they don’t work out. I think this will ultimately do great things for my work.
Here’s a few ideas for my upcoming creative playtime (and yours too!):
- I’ve always wanted to try bookmaking, and now I feel like it’s time to actually find the tools and try it. It’s been on the back burner for years, but now I feel like I’m being called to do it.
- I miss reading novels, so I hereby dedicate my lunchbreaks to leisurely reading.
- No more skipping exercise or cutting walks short to make time for more “important” things. I need that movement. It feeds my soul and my creativity in a way that nothing else does. My body needs that, my mind needs it.
- I want to play with new techniques I’ve been wanting to incorporate into my work.
- I rarely draw anymore. Drawing is the backbone of art, so I’d like to spend some time with a sketchbook and a pencil, working on what I see.
- I want to get outside more, visit galleries, and go on other outings that fill me.
Do you ever allow yourself some creative playtime? If you did, what would you do? How would it help you?
Filling your Creative Well
I haven’t touched my paintbrushes in about a week.
A few weeks ago, I would’ve completely beaten myself up over that.
As I sit on my studio floor writing this, the canvas I prepared last week with a base coat of blue-black lays in front of me, unmoved from that spot since I laid it down to let the paint dry.
You might know from my post last week that I’ve returned to work full-time, and I believe that’s a great thing for me right now. If you’ve been reading Handprint Soul for awhile, you also know that I believe that every challenge offers precious wisdom.
I’ve always struggled with full-time work, mostly because I’ve had a lot of demanding jobs, but also because I don’t like being on someone else’s schedule and 40 hours or more every week just tends to wear me out sometimes. I need a lot of time to think and reflect, and sometimes that’s hard to do when I work full-time and try to do a million other things.
So, the wisdom here is to learn to take exquisite care of myself while working full-time and starting my art career. At least I have a head-start on this job because I really do love it and I’ve been working there for a few months. It’s not like I’m throwing myself into something completely new, but any big schedule change requires some adjustments.
While I’m settling into this new situation, I’m clearing a lot of other things off my plate. I’m taking it easy and making sure I have meals and snacks prepared for work, that I get enough sleep, journaling, and keeping things maintained. I’m even adjusting my sleeping schedule so that I have more time for creative stuff in the morning before work. I’ve been thinking about art, but nothing is pulling me into the studio right now. I don’t see art when I look at trees or the sky right now.
However, I wouldn’t call this a block. I’m not concerned at all even though this would have terrified me a few weeks ago. I know that creativity needs to be nurtured in order to flow, and once I settle into things and things don’t require as much consciousness to maintain, I know that my imagination will start wandering again and I’ll get that itch. It’ll come back. It always does.
I’ve been working through The Artist’s Way and early on it talks about the vital importance of filling the “well,” which is our internal reservoir of images and ideas from which we draw our inspiration. Laura Hollick’s latest video expresses the importance of tending our “inner garden.” I’ve understood this concept for awhile, usually thinking of it as a process of “creative intake” and “creative output,” but I feel that receiving two reminders in one week is a gentle nudge in the right direction. I need to fill my well. I need to tend my garden. I’ve been so busy keeping the rest of my life together that I haven’t had room in my head or my schedule or the openness to keep my inner creative shelves stocked.
Maybe I should stick to the well and garden metaphors, yeah?
But how to we tend that garden?
It’s different for everyone, but to water our creative hibiscus flowers, we simply need to do things and visit places that inspire us. Read a good book. Go window shopping. Visit an art gallery or a museum. Go hiking. Listen to music that stirs you. Drive. Mess around with a new art medium. Whatever fills your soul with electricity, or at least that’s what inspiration feels like to me.
So, with things settling down, I’m working on tending that garden. When it’s flourishing again, the art will come.
This is the first time I haven’t felt uncomfortable with creative blockage, to say the least. Isn’t it incredible how life sends us the messages we need? We just need to hear them.
Wise Words: Georgia O’Keefe
I found I could say things with color and shapes that I couldn’t say any other way – things I had no words for.
Georgia O’Keefe
Word of 2012: Stability
Ok, I’m a little late to the party on this one, but better late that never, right? (I hate cliches, but sometimes they’re overused for a reason: they work.)
All week long I’ve read amazing posts from bloggers who have chosen a word or a theme for 2012. I’ve heard of this before and though I set intentions each year and have used mantras before, I’ve never actually chosen a word for an entire year.
So, after a few contemplative walks and some journaling, I’ve chosen my word:
Stability
This isn’t an exciting word, and I definitely considered some snazzier ones, but that’s not what I need. For the past several years of my life, many thing have felt unstable. Relationships, income, self-esteem, my body, jobs, career plans, and mental health to name a few.
That’s a rough way to live.
This word fits perfectly with my intentions for 2012, and now that I think about it, stability is what I’m seeking through those intentions: a stable income, stable moods and health, relationships, supportive habits, creative flow, and a stable career. By that I mean that this year, I want to create a stable, solid foundation for my art and writing career.
Stability. Just saying it in my mind makes me feel grounded and focused, which is exactly what I need to create this in my life.
It reminds me of this quick little collage I made several years ago when I was struggling with anxiety and panic attacks. All I wanted in the world was to feel grounded, strong, and secure.
I’m actually working on a small painting version of this that I’m not planning to sell, but I promise I’ll show you when I’m done. It’s funny to look back on past artwork and see “seeds” of what I’m doing now!
Best of luck in 2012.
New Painting: Galaxies Inside 1
Even though it seems like forever since I last finished a painting, I think this one was worth it.
This is the first painting in what I hope to be an entire series of works in my usual style but with more emphasis on the night sky and celestial bodies. If you follow me on Pinterest, you may have noticed that I’ve been adding spacey pictures to my “Art Inspiration” board for quite awhile now, and I think I’m ready to work with that idea now.
I can think of two things that inspired this series:
First, a doodle I did a few months ago. I was working through Laura Hollick’s Create Yourself e-course and I had been doodling as well as taking note. I let my pen dance around on the page according to what I felt, and then I made another small doodle to “sum up” that energy I’d just captured with my “pencil dancing”. I wanted a tiny snapshot of my soul, the joyful energy that is McKella. It was a spiral with lots of little arms coming off of it, like a galaxy.
Secondly, a poem I wrote in my senior year of high school. I can’t seem to find it anywhere. It was about the complexity of being a human and the vastness of the human soul. I felt so big inside, like I could spent my entire life exploring and never understand it all. The very structure of my body and soul, the cycles that I lived by, and the thoughts and emotions I experienced seemed so miraculous. I honestly don’t remember any of that poem except for one line: There are galaxies inside.
I may go back and rewrite that poem, because the theme has never left me.
The series will explore this idea further. I don’t know how many pieces I’ll do. It may be three, maybe a dozen. I’m going to let it unfold as it needs to.
This piece does have some significance on its own though. I usually don’t fully understand the meaning of my paintings until I’m finished, and last night as I washed out my brush for the final time, I realized that this piece is about goals, possibilities, values, experiences, plans, and how they can change or become eclipsed by something else. I’ve always been very driven, which is a good thing, but on the flip side I also have a hard time letting go. I’ll hold onto something-be it a goal, relationship, job, or old story long after it’s lost its magic. I have a hard time moving on, letting go, and giving up control.
The figure in this painting watches the events in the night sky, but doesn’t try to change them. She observes, but makes no effort to interfere. She trusts, she is connected to something that is rooted to the ground, and that is all she needs. She knows who she is, and that is all that is necessary.
Purchase this piece here.
Accepting Limits and a Sneak Peek
So my Internet has been patchy lately, and this post is brought to you by my iPhone. I’ll keep it quick, because I’ve got a lot to do today.
I’m hoping to finish my latest painting today, and it feels like forever since I’ve finished anything. I completed my last painting in November, and that was the only piece I finished that month. It was huge, but nothing compared to the one or two paintings I chugged out every week in August and September.
I’ve accepted that winter is my less creative and energetic time, but sometimes it’s hard to cut myself some slack when I need to. I think this is true of most people. We feel guilty for taking breaks or spending more time reading than making stuff even if that’s what we really feel like doing. We confuse limits with laziness and interpret needs as weakness.
That kind of thinking doesn’t serve us. I’m ok with this one painting, even though I’d intended to finish at least three in December. I feel like this is quality work that reflects the internal shift I feel when the seasons change as well as a new element I’m going to include in my work for awhile.
With that said, I thought I’d give you a little sneak peek:
I’ll post this either tomorrow of Friday!
Painting-Contemplative
Modern life requires us to go fast. Rush from errand to errand, work hard, play hard, sweat at the gym, crunch those numbers, go go go!
We all know the importance of rest (who wouldn’t crash after all of that?) but sometimes we neglect the need to contemplate.
I painted this in August, but I haven’t talked about it here yet. In fact, this is the first piece I ever painted with the intention to sell.
Back when the grass was green and I still lived in tee shirts and cargo shorts, one of my favorite things to do was to walk to the park down the street, cozy up to one of the trees and watch the world around me while I processed my thoughts and fished for ideas. Sunset was my favorite time to do this.
I was always amazed at the thoughts that would run through my head as I sat under that sky. Everything from “That is the most vibrant pink I have ever seen” to “I hope my kids aren’t into sports-I wouldn’t know what to do” to “I want to paint the sun.”
I’d always bring an notebook or a sketchbook, but most of the time I’d just think. Just thinking is one of my favorite things to do, and I find that it’s a critical part of my artistic process (aka My Life). It’s how I recharge, it’s how I refine ideas to the point that I can start making them real.
I also get some great thinking done in the car, but that’s not nearly as fun to paint.
This piece is available for purchase here.
Where’s your thinking place?
Painting-A Fire Inside
Although this is one of my favorite paintings, I haven’t yet discussed it on the blog.
This piece was born of fear.
We all know that feeling of being held back, whether by someone else’s expectations or rules, living or work situations, or someone telling us we can’t. I was frustrated because I’d just started creating work to sell, and I knew I had a battle ahead of me. I had the “starving artist” myth to contend with, for starters. I had to start an art business from the ground up. I had to get people to notice me, let my work be judged, all while still maintaining my passion and creative flow so that I could produce the best work possible.
I was overwhelmed. It’s still overwhelming now, as I’m in the throws of that battle. I was frustrated that things are the way they are and that it’s so difficult to start doing what I love for a living. It felt like I had so much working against me, and that it was unfair that I had to fight so hard just to do what I love.
Then I realized what a useless attitude that was.
I could moan and whine about how hard things are, or I could let my passion lead me, find joy in the journey of connecting my work with others and cultivating my career. I could dance in that fire of fear and opposition.
The process of creating the painting reflected my thinking process, because they happened at the same time.
I began with a fiery, chaotic background of red, yellow, and orange smeared around with my husband’s old library card (I knew it would never get used) and I added the string, a motif I’ve used for years, because I felt bound at this point. As I worked things through in my mind, I stamped and painted the orbs, which are my representation of celestial bodies, hope, and joy. My trees are just as human as my figures, so I added one of those two. What would my work be without trees?
It took me a long time to decide on a figure, but eventually I settled on a dancer. It’s funny that I paint dancers so often, because I can’t really dance. The movement expresses my feelings so perfectly though, how this girl just leaps into the unknown.
There’s such beauty and discovery in letting go.
This piece is available for purchase here.














